Radioactive Mix

I was born in 1960. The world had lived with the threat of nuclear war for 15 years. Movies about giant monsters were beginning to give way to post-apocalyptic tales. International politics were driven but the threat of mutual destruction. As a child, I was affected in subtle ways. I was shielded from the brunt of the terror. But the opposition to the Vietnam War was probably colored by this, and I am sure there were other, more subtle manifestations. I do know that this fear occasionally made its way into the music I heard. The enormity of this fear is so great that songwriters try to cope by resorting to black humor.

Randy Newman: Political Science

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At first, the United States was the only nuclear nation. We were supreme, and could do what ever we wanted. Once that changed, some people felt that we should not have to change that attitude. Randy Newman lampooned this attitude brilliantly in Political Science. But, listening to this song now, I am reminded of how George W Bush conducted foreign policy. Here in the US, we are still dealing with the repercussions from that.

Donald Fagen: New Frontier

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Once the Solviet Union also developed nuclear weapons, people became convinced that they had to prepare for the worst. So every home seemingly had a bomb shelter. Thankfully, these shelters have never had to be used for their intended purpose. Still, they are good for something. Donald Fagen explains.

The Uptones: Radiation Boy

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The fear of nuclear war became greater as we learned more about the harm radiation could do. Eventually, we learned that the same thing could result from exposure to waste from nuclear power plants. The Uptones describe this in a song that is all the more chilling because of its seemingly joyous sound.

Fishbone: Party at Ground Zero

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To Fishbone, there is only one possible response to the prospect of going off to fight against the Solviet Union. You might as well party, because you may not get another chance. The attitude here is similar to Prince’s 1999, but Fishbone is more specific about the source of their concern.

Sting: Russians

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Sting, with Russians, is only one in this mix who chose to tackle his subject head-on, instead of cushioning it with humor. I can see the validity of either approach. Sting delivers a secular hymn for peace.

Bittersweet

The plant called bittersweet is shown above. It has very beautiful flowers and berries, and both the leaves and the berries are poisonous to humans. Thus, bittersweet is a fine word for an emotional state were happiness and regret are mingled together. When songwriters tackle this emotional state, they can fall into one of two traps: they can go to far into the regretful part, resulting in a maudlin mess; or they can go too far the other way, producing a song whose happiness seems forced and false. So, when a song strikes the proper balance, it can lodge in the listeners head, and a great song may result. Where does that balance point lie? As will be heard in the examples below, it can vary from songwriter to songwriter.

Big Head Todd and the Monsters: Bittersweet

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Big Head Todd and the Monsters provide our title track. The emotional state resides in the present, in the nagging doubt that a relationship is not all it could or should be. There is also the sense that this couple cannot take this any further. Each verse is a snapshot of a different point in the relationship, and yet the doubts persist. This track is a remarkable piece of songwriting, in that it captures the bittersweet emotion in the present tense.

Randy Newman: Dayton Ohio 1903

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Bittersweet emotions usually are tied in with nostalgia. Here, Randy Newman takes us back to 1903. The song dates from the early 70s, so we know that Newman is not writing about a personal memory here. Rather, he has created an imaginary past. The regret in this song is implied; Newman has set his song so far in the past to establish that this couldn’t happen any more. Sadly, that may be even more true today.

The Dream Academy: Life in a Northern Town

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Life in a Northern Town has the feel of a personal memory, perhaps embellished by the passage of time. The lushness of the arrangement only enhances the sweetness of the memory, and the ache of knowing that there is no way to return.

Iris Dement: Our Town

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Iris Dement also remembers the hometown of her youth. But, unlike the Dream Academy, Dement uses a spare arrangement. This also works well, at least for her.

Joni Mitchell: Chinese Cafe/ Unchained Melody

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Joni Mitchell remembers not a town, but a specific place where her character hung out in her teen years. She also remembers a specific song that was on the juke box. This specificity increase the ache. Joni Mitchell is one of the few artists who can take the emotion this far into regret without the song becoming maudlin.